Nuove Musiche 7/2020
Sottotitolo non presente
Presentazione
In questo numero:
Timbre, gesture, communication and musical meaning in some recent works
by Ondřej Adámek
Carlo Benzi
Extended: An Introduction to the Work of Ashley Fure
Ross Feller
Performing computer music: the case of Ryan Carter’s Trying to Connect
Paolo Zavagna
Andrea Agostini, gli atomi che si accendevano e radiavano, for barytone saxophone and live electronics:
from the neutral to the poietic level
Fabio De Sanctis De Benedictis
Marina Khorkova’s Compositional Practices: Research, Language, Techniques
Luca Guidarini
Reverse engineering of a semiotic machine. On Dmitri Kourliandski’s dasein 1&2 (To Say Nothing of III)
Andrea Valle
Technology between performance and multimedia: an interview with Sarah Nemtsov
Giacomo Albert
The music of Vito Žura
Luisa Antoni
Timbre, gesture, communication and musical meaning in some recent works
by Ondřej Adámek
Carlo Benzi
Extended: An Introduction to the Work of Ashley Fure
Ross Feller
Performing computer music: the case of Ryan Carter’s Trying to Connect
Paolo Zavagna
Andrea Agostini, gli atomi che si accendevano e radiavano, for barytone saxophone and live electronics:
from the neutral to the poietic level
Fabio De Sanctis De Benedictis
Marina Khorkova’s Compositional Practices: Research, Language, Techniques
Luca Guidarini
Reverse engineering of a semiotic machine. On Dmitri Kourliandski’s dasein 1&2 (To Say Nothing of III)
Andrea Valle
Technology between performance and multimedia: an interview with Sarah Nemtsov
Giacomo Albert
The music of Vito Žura
Luisa Antoni
Presentazione
In questo numero:
Timbre, gesture, communication and musical meaning in some recent works
by Ondřej Adámek
Carlo Benzi
Extended: An Introduction to the Work of Ashley Fure
Ross Feller
Performing computer music: the case of Ryan Carter’s Trying to Connect
Paolo Zavagna
Andrea Agostini, gli atomi che si accendevano e radiavano, for barytone saxophone and live electronics:
from the neutral to the poietic level
Fabio De Sanctis De Benedictis
Marina Khorkova’s Compositional Practices: Research, Language, Techniques
Luca Guidarini
Reverse engineering of a semiotic machine. On Dmitri Kourliandski’s dasein 1&2 (To Say Nothing of III)
Andrea Valle
Technology between performance and multimedia: an interview with Sarah Nemtsov
Giacomo Albert
The music of Vito Žura
Luisa Antoni
Timbre, gesture, communication and musical meaning in some recent works
by Ondřej Adámek
Carlo Benzi
Extended: An Introduction to the Work of Ashley Fure
Ross Feller
Performing computer music: the case of Ryan Carter’s Trying to Connect
Paolo Zavagna
Andrea Agostini, gli atomi che si accendevano e radiavano, for barytone saxophone and live electronics:
from the neutral to the poietic level
Fabio De Sanctis De Benedictis
Marina Khorkova’s Compositional Practices: Research, Language, Techniques
Luca Guidarini
Reverse engineering of a semiotic machine. On Dmitri Kourliandski’s dasein 1&2 (To Say Nothing of III)
Andrea Valle
Technology between performance and multimedia: an interview with Sarah Nemtsov
Giacomo Albert
The music of Vito Žura
Luisa Antoni
Nuove Musiche 7/2020