Il volume studia l’opera di sei giovani compositori odierni internazionalmente affermati: Stefan Prins, Mauro Lanza, S. Steen-Andersen, Rama Gottfried, J. Walshe, P. Kokoras. Centro dell’analisi sono il processo creativo, le tecniche compositive e la scrittura musicale, in relazione con le tecnologie.
In questo numero:
Giacomo Albert and Andrea Valle, Writing <–> Technology. Composers 1973-1983.
Anne Holzmüller, The Politics of Poetry. Piano Hero (2011/2017) by Stefan Prins.
Johannes Bernet, Living things: Sound and Physical Presence as Measures of Musical Agency and Immersion in “Apophänie” by Rama Gottfried.
Amy Bauer, Automata in extremis: Mauro Lanza’s sublime sound machines.
Stefan Drees, «Expanded music»: the technological extension of body and instrument in Simon Steen-Andersen’s Piano Concerto (2013/14).
Landon Morrison, Transmedial Aesthetics and Mimetic Models in the Music of Panayiotis Kokoras.
Fabian Czolbe, Staging Technology – Composing with and within Digital Everyday Life.
